Ep. #27 Re-Doing Daily

Words That Move Me with Dana Wilson
Ep. #27 Re-Doing Daily
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If self-awareness, and awareness of the world around you is the goal.  I strongly recommend taking on a daily creative project as part of that regimen.  Here is why:  To make creative work, you must look both outside AND inside. You must call on imagination and ACTION. you must find your voice, and use it… even if all it speaks is questions.

Show Notes

Quick Links

Toni Basil Swan Lake: https://www.youtube.com/watch?v=pbBzyTJPt30

Transcript:

Intro: This is words that move me, the podcast where movers and shakers, like you get the information and inspiration. You need to navigate your creative career with clarity and confidence. I am your host master mover, Dana Wilson. And if you’re someone that loves to learn, laugh and is looking to rewrite the starving artist story, then sit tight, but don’t stop moving cause you’re in the right place.  

Dana: Hello. Hello everybody. And welcome back to the podcast or welcome for the first time. If you’re new, I am so excited that you are here. And as always, I am super jazzed about this episode. Like very jazzed about this episode. Um, today I want to talk about something that hasn’t been addressed here on the podcast in quite a while, broadly creativity, but specifically creating something daily and here on the podcast, we call that doing daily. Now of course, before we do that, I do want to share a win and I want to hear yours. And I also want to tell you that I am wearing overalls today, not jingle bells. These are overalls just wanted to let you know this will be a very spirited episode because of my jingle bell overalls. Okay. Let’s talk wins this week. My win is that I am so honored to be teaching for my dear friend, Tiler Peck’s summer intensive. And I am not sure if enrollment is open, I will definitely find out. Um, and when I do, if it is open, I will absolutely link to that in the show notes. And I will brag loud and proud about it on all the socials so that if you are able to, you can enroll in those classes. I am simply super proud to be a part of this all star lineup. And I’m just very excited about this intensive. All right, that is my win. Now you go, what’s going well in your world.  

Congratulations. Keep crushing it.  I’m jazzed for you. Okay. Let’s get to it. 

When I created this podcast, it was not my goal to create a community of daily doers. It was my goal to create a podcast about navigating a creative career. I had written a book of tips and tricks with notes and quotes, a bunch of things that I had collected along on my journey. And on January 1st, 2020, I was ready to. Now, here we are over six months later, living in very, very different circumstances, a global pandemic resulting in over 9 million cases and almost 500,000 deaths worldwide. COVID-19 also brought the US unemployment rate to 13.3% today, much higher in California I believe. Add civil unrest in response to police brutality and the murders of George Floyd, Breonna Taylor, and sadly. So, so many more. The rise of the black lives matter movement. The rise of awareness of other oppressed groups all over the world, the awakening of many to systemic racism and the call for anti-racism.  

Okay.  And now here we are. So way back in January feels like lifetimes ago. When I decided to create this podcast about navigating a creative career, a podcast about making it, I decided that the most important part of making it is making actually making it, making it a thing, making your thing. So I decided to make my first episode doing daily about my daily creative challenge. I took on a year of daily Instagram videos. I wound up going for much longer over 400 and some days. Now that was my first episode because I knew I’d be referencing it a lot throughout the podcast. Again, it wasn’t my intention, but that episode sparked something and a community was born first, a handful, then a bundle, then a gaggle of artists doing daily. It was very, very cool to behold something super, super special. And I want to quickly shout out some of my daily doers. 

We got @dinkadoingdailyWTMM we have @_maile_We have @greatgabyJum, @madisynsloane @sky_spiegel  Michael @sydneycheri , @the_good_guy91 @rebekahwrangler  @fridawson My mom, @stefawils @marcellasweeney I mean so many. I can’t even list them all here in an episode and keep it under 45 minutes. But I was truly, truly inspired to see such a community growing around, doing daily.  

Then the lockdown, the protests, the massive calls to action, the massive action. And the doers started to dwindle. Less people were sharing their daily project and this isn’t good. And this isn’t bad. This is neutral. Less people were sharing their daily projects on Instagram. And that is okay. But today I’d like to make the argument for why doing daily is important, especially right now in this crazy moment in history. So Yes, Read. Yes, Watch. Yes, Listen. Yes, Learn. Yes, Donate. But if self awareness and awareness of the world around you is your goal. Then I strongly recommend taking on a daily creative project as part of your regimen. Here’s why 

To make a creative work. You have to look both inside and outside. You must call on your imagination and you must take action. You must find your voice and use it. Even if all it speaks is questions. It’s so, so important. So today I’m going to answer a lot of questions about doing daily and I’m going to be making the argument for being creative right now. And I don’t mean right now, June, 2020. I mean, right now, whenever you are listening to this, I really hope that it sparks a voice inside of you. And I hope that when that spark speaks you, listen, I hope that you answer.  

Why did I start doing daily? Well, I discovered a human being on Instagram named Adam Carpenter. He goes by @AdamSCarpenters. And I just thought he was the most delightful and charming and unusual and self motivated and in control of his silliness person that I had ever seen. Um, I looked forward to seeing his work every single day. I was just tickled by it. And then one day via the Instagram communications, I met him. I met my hero. It was the most surreal experience, especially for somebody who works with famous people often like this guy to me, was it. Um, and when we met, he challenged me to do a daily creative project of my own. And I simply couldn’t say no. So that is why I started. Now, what was the most important thing about doing daily to me? At the time, it was learning the power of my imagination. I want to share a quote with you that I recently read in Glennon Doyle’s book Untamed, which is rocking my world. Glennon says, quote, “discontent is evidence that your imagination has not given up on you” and quote. So if you are a person that is discontent or unhappy with the current state of the world, then look to your imagination. Let that be a check engine light that you have something to do. And something to say, huge, huge part of daily doing for me, another part, a key factor was redistributing my creative authority back into my own hands. My career up to that point had largely been about other people’s approval and other people’s projects. Now, after years of bending myself to fit the breakdowns, nothing was as rewarding as answering to myself. Now, with hindsight, I can say that nothing is as rewarding as the community of doers that I met along the way. So you might be thinking right now, “Dana, a daily personal project sounds a little bit self centered and super time consuming. And isn’t this a time where I should be selfless. Isn’t this a time where I should be doing other things with my time.” Well, perhaps, but if you want to do big things, if you want to make big work, and if you want to make big change, then I suggest you start by taking small bites. This project doesn’t need to be big. It doesn’t need to be time consuming. You get to decide how much time you spend on it and you get to decide what you do. That’s the beauty of it. That is special. Also what’s super special is that when you learn to show up for yourself in little ways, every day, you learn how to show up for others in big ways forever.  I like to ask the question, how can I prioritize myself so that I have more to give to others? A daily creative project is one of those ways. 

Okay. A lot of people ask, what is the most important part of doing daily? Is it the creation of it? Is it the publication of it? Is it the reflection on it? Well, to that, I would say that creation and reflection are very closely linked while you’re making you are making with the knowledge and the memory of everything you’ve made up to that point. I’m, I’m using lessons that I’ve learned and applying them to what I’m doing reflections of past work happened while I’m creating as well as after they’ve been shared. So it’s kind of part of this bigger puzzle. The sharing itself is important to me because although it was interesting to learn how to receive such a quick feedback loop and to learn how an audience responds and what they respond to. It was also slightly misleading because I felt myself occasionally making work and making decisions based on what the audience might want opposed to making the work that I wanted to make. And sometimes by the way, there is overlap there, the audience wants the same thing that I want to make. And that’s the sweet spot. That’s great. But really my doing daily project was less about the sharing and more about the doing it. It was more about claiming authority of my creative life. So if you’re thinking that it doesn’t feel right to share a self centered project right now, great, make your project about something that does feel right to you. And if it’s the sharing part that really rubs you wrong, I’d ask you to get down to the bottom of why. Make sure that you like your reason for not sharing. If you decide not to share and equally on the flip side, you should like your reason for sharing should you decide to share. Shouldn’t just be because I said so, 

All right, now, next question. How do you convince yourself to do on days where you really don’t want to do this is such a great question on days that I don’t want to do. I hear Toni Basil’s voice in my head, Toni Basil, by the way, in case you do not know is a pillar of the street dance community. She’s a member of the original lockers. She is one of the first to bring street dance to the mainstream and fuse it literally side by side with classical ballet. I’m linking by the way, to her Emmy nominated interpretation of Swan Lake in the show notes. This is a must watch, especially if you’ve been listening to the last couple of conversations I’ve had with Dominique Kelly, very, very important today, today, Toni Basil is 75 years old.  And I’m going to go ahead and say that today she could roast any of you, which is bold because I know there are some pretty funky people listening, but I stand by my claim. I stand by my claim, not just because of all of her history, but because she dances every single day, she’s still got it. And she’s still getting better. Now, one day I asked Toni, “Basil, do you ever not want to dance?” And she said, sure, all the time. And then I said, “okay, so what do you do? How do you still show up and dance even when you don’t want to?” And she said, quote, I just pretend to be someone who does want to dance and quote mind blown. Thank you Basil. Now to be a hundred percent honest, there were days when I was so motivated that I would make two movies. And then there were days when I wasn’t making, as in creating or capturing, but I would be editing one thing or posting another thing, or, you know, maybe I’d be filming one thing and editing another. So it wasn’t necessarily that I went through a full loop every single day. I didn’t do the whole cycle from inception to creation, to curation. And by that, I mean like editing reshooting, et cetera. Um, and then sharing it wouldn’t always be that whole cycle, but it would be at least one of those things. 

Okay. Next question. Why is the daily part so important? Well, this is a dancer speaking. We get better at the things that we practice, right? The more I practice a double pirouette the better I get at it. And not only that, but a double pirouette, it becomes a triple and then four or five or six or seven. Now I believe that the creative habit gets stronger. The more you practice it and gets weaker, the less you practice it. So people say a lot of things about creativity and habits and what it takes to truly create one. I think I remember reading somewhere a magic number being 66. Like it takes 66 days of practice before a behavior becomes automatic. So that’s certainly part of it. I don’t know if that is truly a magic number or not, but I also found tremendous freedom in knowing that I would do it no matter what. I think that had my goal then to be creative three days a week, for example, then I might’ve started negotiating, which days, you know, Friday, Saturday, Sunday becomes, well, maybe not Sunday, but maybe Monday. And then Monday gets pushed back to Wednesday and then Wednesday gets pushed back to Friday. And all of a sudden it’s been a week without any doing. Daily, doing left no room to negotiate with myself about whether or not I would do it. I just absolutely did it no matter what. And that built strong creative habits, it built them quick and it built them strong. 

Now here’s an interesting consideration. Do I think that work, you do on the clock for another entity, like a movie or a music video shoot, for example counts as you’re doing daily? Well, I’m not saying that creative work on the clock, isn’t creative or isn’t helping to build creative habits, but during my year plus of daily making, I chose to create my daily project outside of my already pretty creative job, which was at the time being a background dancer on tour with JT on the 2020 experience. Now, of course the cast and crew, and occasionally the backdrop of tour would appear in my videos, but I kept a rule for myself that if I included my job in my work or in my project, if you will, it would be my job Plus. My job as a backup plus a twist or plus a different concept or a plus a gag or a gimmick or some sort of technical modification, et cetera. And that kept my focus on my authorship that kept the focus on the creative muscle. 

Next question is keeping the doing the same every day important. In other words, if I decided to do a photo a day and then eventually changed my mind to painting a picture instead of taking a picture or doing a dance one day and a picture the next day, is that important to the project? Um, I won’t say, I think that each doer can decide that for themselves. What I will say is that one would be wise to identify the weak spot in their process or their habit that needs the most strengthening and focus their creative efforts there. When I signed my imaginary contract with myself and agreed to my daily challenge, I was really, really good at having ideas.  

I had ideas a mile a minute, but I wasn’t very good at finishing them. I rarely shipped. I rarely shared. So for me, the doing was the shipping, the sharing, the putting out into the world. Now, if you’re a person that shares with ease, then perhaps your challenge lies in the digging deep, or maybe it lies in the conceptualizing. It might show up as 365 ideas for projects or 365 short stories or 30 short stories. Maybe you want to be learning a new technical skill like video editing, for example, this is a very good time for dancers to understand how to edit video and capture by the way. Um, maybe you’re a generalist who really wants to go deep on something like some specific style or even one specific move. Imagine an Instagram account where a person just did a pirouette at a day for an entire calendar year. And you get to watch them from being kind of okay at pirouettes or maybe even bad at doing periods. And then becoming really, really good at pirouettes over the course of a year. I would definitely follow that person. Now, your project doesn’t have to be for an entire year. You get to name the terms of your contract. It’s up to the doer to decide what you do and how long you do it. And you don’t have to do it all alone. You have a whole community of daily doers right here. You can even do together. You can do together apart. That’s the beauty that is truly the power of this. The power is that it is your power, your decision, your authority. And if you practice it, if you practice it daily, that can become your super power. Yes. Super powers. 

So this episode is my pledge to nurture the doing daily community. Please mention us or use the #doingdailyWTMM there’s two M’s there #doingdailyWTMM in your doing daily posts on Instagram, because I would love to see what you’re up to. I am here to encourage you and to be a part of this journey with you, and also to tell you right now that it is okay to start a daily project that turns into a weekly project that turns into a monthly project. It’s okay to come back. It’s okay to fumble a day. This is about making changes from the inside out. This is about persistence determination. This is about living a creative life by strengthening your creative habits.  

All right. Thank you all so much for listening. I hope that if you haven’t already, you go back and listen to episode one and honestly do not sleep on episode two. There’s a lot of really good technical information in there about how I really physically actually made it through over a year of doing daily. Also a huge thank you to my team, Riley Higgins and Malia Baker for helping me keep this podcast, this community and myself together. I so appreciate you guys. Um, one other thing before I sign off, I want to make sure you guys are aware of an awesome doing daily resource. My team, and I have created an interactive PDF. We’re calling it the doing daily diary. It helps keep you accountable, keep you on track and keep you learning about you’re doing daily project that is available to you by becoming a words that move me member on Patreon to do that, just visit patreon.com/WTMMpodcast Definitely going to link to that in the show notes as well. I hope to see you there in my Patreon community. It’s a really fun place for me to connect. Give you guys all sorts of extras. And of course for you all my daily doers to connect with each other. So head on over there, enjoy have a great creative day. And of course, Keep it funky 

Thought you were done. No. Now I’m here to remind you that all of the important people, places and things mentioned in this episode can be found on my website, theDanawilson.com/podcast Finally, and most importantly, now you have a way to become a words that move me member. So kickball change over to patreon.com/WTMMpodcast to learn more and join. All right, everybody. Now I’m really  

Thanks so much for listening. I’ll talk to you soon. 

Ep. #8 Why My Headshots Won’t Suck

Words That Move Me with Dana Wilson
Ep. #8 Why My Headshots Won't Suck
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A headshot is a picture of your head and Episode #8 takes a look at what is going on inside of it on a big shoot day.  From hair & make up to mind set.  From backdrops & wardrobe to wide angle distortion.  We get to the bottom of why the getting great headshots can be challenging, and you’ll learn how to make your next shoot the best day of your life.  If you’re not careful… This episode might turn you into someone who loves being photographed. 

Show Notes:

Quick Links:

Bobby Dacones (Commercial Shots): https://www.instagram.com/bobby11dacones/?hl=en

Taylor James (Editorial Shots): https://www.instagram.com/taylorjjames/?hl=en

Gia Harris (Makeup Artist): https://www.instagram.com/missgiamakeup/?hl=en

Retouching: www.digitalheadshotretouching.com
digitalheadshotretouching@gmail.com

Printing: www.photocitylabs.com photo-city@sbcglobal.net

Pink Hair Dye: https://us.kryolan.com/product/color-spray#D30

Favorite Red Lipstick: https://www.sephora.com/product/cream-lip-stain-liquid-lipstick-P281411?icid2=products%20grid:p281411

Transcript:

Intro: This is words that move me, the podcast where movers and shakers like you get the information and inspiration you need to navigate your creative career with clarity and confidence. I am your host, master mover, Dana Wilson, and if you’re someone that loves to learn, laugh and is looking to rewrite the starving artists story, then sit tight. But don’t stop moving because you’re in the right place.  

Dana: Good day. Good people. How are you out there? I hope this podcast finds you fabulous on this lovely day or night. I don’t know what it is for you right now. I do know that it is morning time for me and this is kind of an impromptu podcast. Today is headshots day. I am getting two different rounds of head shots taken in one day. In the early afternoon. I’m going for the commercial stuff, the clean, fresh, super cute. “Let me sell you things”, head shots. And then in the afternoon I’m getting my super artsy fartsy editorial. “I’m an artist with creative ideas” headshots, and those really are two very different things. Um, and I’m excited. I’m excited about both of them, but I did wake up on the wrong side of the bed this morning. So I did a little journaling and started digging up what I thought could be a really cool podcast episode, a look inside my head on headshots day. So you’ll be able to see what my head looks like on the outside as well as what’s going on in here today. So, uh, if you don’t mind, I’m going to get right into it since I am on a bit of a sscheduley.  

Okay. The inner dialogue that happens on the morning of headshot day is not so dissimilar from the dialogue that happens on any big shoot day. So if you don’t have headshots on the books coming up, don’t discount this episode. There’s a lot of big lesson in here and I hope you get big value out of it. Okay, let’s start at the beginning. This morning I woke up to kisses, which is incredible. But also I did say that I woke up on the wrong side of the bed. So you might be wondering how is that possible? Well, let me explain. Number one, I wanted to stay asleep. This is something that I blame actually on my very, very comfortable bed. I have the best bed ever. You might think that yours is better, but mine is better. I really, I’ve actually considered trying to increase productivity by swapping out my awesome mattress and sheets and pillows for something different, but that would never fly.  I really, really love my bed. I have these bamboo hypo allergen pillows. They’re the best and all of it. It’s great. So anyways, I got out of bed eventually. Then I saw how puffy my hands were and that reminded me of the bad choice I made last night when I had so much of that soup that I knew it was a little too salty. I was like, I’m going to be puffy tomorrow. Sure enough, fingers, super puffy. My rings were like, eh, not moving. And then I saw that my morning belly was not. Its typical morning belly smallness, you know that. Don’t you wake up sometimes you look at yourself, you’re like, man, I look really good right now. I want to look like that all day long and literally like you might not even drink water, but in the next hour or so you just don’t look. I don’t know. There’s something about the morning body, so I was bummed by the puffy fingers. I was bummed by the puffy body and then I got in the shower and my husband asked if I tweezed my eyebrows. He said they look smaller. He did not say they look bad or Whoa, you really messed up there. He really said no. He just said they look smaller, but in my head I heard they look awful. You look crazy. You’re really getting head shots today. And then I went into the landscaping mode where for the next 15 minutes from pits to legs to “vathighna”, which is the place.. Some people call it the bikini area, but let’s be honest, it’s the place between your vagina and your thigh. It’s the vagthina and on my landscaping journey, all I can do is think about those perfect hairless bodied models that I see headshots of all the time. And then I came here to my computer where I started to do a little download. A thought download by the way is where I just spew out thoughts, stream of consciousness at my computer and then I work on managing those thoughts.  

Okay. We’re going to get into my thoughts in a second, but first let’s take a quick moment to talk about the facts. Okay. The facts about headshots are this. Head shots are pictures of you, your top half usually, but sometimes your whole body, they land on your website or on your agent’s website. They land on casting networks, which is sort of a casting directory. In other words, online casting networks are where casting directors and clients will go to look at the talent pool to decide who they want to see audition and ultimately who they will cast for their projects. I’m going to do a full blown deep dive on casting networks another day. We’re going to talk all of them backstage, breakdown services, actors access, casting frontier, casting networks inc, we’re going to do it, but not today. Casting networks are not a happy place for me and we’re going to keep headshot day a happy place kind of day. A few other facts about your head shots. They will likely wind up a two inch thumbnail on somebody’s computer or phone. They also may get printed. It is really good practice to have printed head shots. By the way, maybe that’s my thought. That might not be a fact. Although since the digital revolution hard-copy headshots are becoming less frequently asked for when you audition, it is good practice to have them. Okay, here’s some more thoughts about headshots and I did a quick Google search, so these are other people’s thoughts, not my own. Here we go. Oh, this is a good one. If your head shots don’t work, you won’t work. A good headshot is essential to getting work. A headshot is your most valuable asset.  People also say things like, go pro, spend the money. I did get a good quote. That seems true to the price range that I’ve experienced. That good headshots range from 400 to $1,200 yeah, that’s about right. Oh, here we go. These are fun. A headshot has to show uniqueness and warmth. It’s important to show variety, but don’t be confusing. Your look should be different but unified. Okay? That’s not confusing at all. Um, or these, these good old fashion rules. Don’t wear white. Don’t wear graphics. Don’t use too many props. Don’t do anything that’ll distract from your face. Okay, good. Thanks for your thoughts everybody. Okay. This morning when I did my download, here are a couple of thoughts that I couldn’t shake. I shouldn’t have had that soup last night. My body isn’t what it could be right now. It doesn’t look like it’s going to be a good hair day.  Totally honest. Those are my thoughts. All right. Now my thoughts mixed with all the other thoughts that I found on the internet today landed me thinking this is the one opportunity I’ll get in the next year to show the world who I am and get me all the jobs. Now that thought landed me feeling pretty stressed out and feeling stressed makes me overeat, over drink, It makes me really try to muscle certain things into place and make last minute changes that are kind of frantic. For example, tweezing my eyebrows at 11 o’clock last night. I don’t relax, I don’t have fun, and it’s all over my face. Those actions land me at a result of not so stellar headshots.

So with a little thought management, a little, a little grooming, this is where my thoughts have landed. Now today I get to play, dress up and make things that have never existed before.  This very, very moment with my friends. Okay? Now I know I’m lucky in that regard. My dear friend Gia will be doing my makeup today. My good friend, Bobby’s going to shoot my commercial looks and then my friend Taylor is going to be doing my abstract, artsy, fartsy fun stuff. These are people that I dig. These are people that I respect and I get to hang out with them for hours on end today and I get to dress up. Boom. This makes me feel excited. And when I’m excited, tasks like doing my hair, doing my makeup, eating well, they all come with a smile. I don’t rush other people or myself. In general, things flow and that flow state happy action lands me at a result of having a great day playing dress up with my friends and having photos that prove it. Okay. Now you may be thinking, all right, positive Patty, you just, you can’t like actually just change your mind from being stressed out about this very important thing to being really, really excited and fun.  Well, I would argue that it’s actually impossible to hold the thought. I am so excited to play, dress up and make stuff with my friends at the same time as you hold the thought curse my fair skin and dark Mediterranean hair. I don’t think you can think those things at the same time. I really think you have to choose one, so I’m going to choose to stop worrying about silly physical things and focus on the thoughts that I actually want to hold. Okay. Here are a few more that I’m going to hold onto today. That soup last night was other worldly that was so good and I’m so glad I experienced it. Next time I get head shots done though, that probably won’t be my move. Oh. And also I have never, ever not once been casting for a project where everyone in the room thought, man, that girl would be perfect, but her fingers are just a little too puffy. Simply never happened to me before. Also. How about this? I woke up to kisses today. It is gonna be a fabulous day. I’m excited to make stuff with my friends. I’m excited to play, dress up and I’m excited to tell you how it went. So don’t leave. Um, I’m going to leave. I’m going to go have a whole day, but you don’t, you’re going to have about three seconds of a musical interlude and I’ll be right back to tell you how it went today.  

Hey guys, I’m back. It’s like time travel I really like this one day, two recording sessions thing. That was very, very fun. Whoa, what a fun day. It was really exciting. I genuinely felt excited almost all day. Um, and wow, being excited is very energizing. I was excited up until 7:00 PM when I ate my first legitimate meal of the day, which was a beyond burger and it was delicious and then I continued to be excited even while I was washing the temporary pink hair dye out of my hair at 10:00 PM and I am going to sleep like a baby. All right. These are some of the things that came up to me that I thought were worth mentioning today.  

First off, your tribe is your vibe. The people that you have around you on big days like this make all the difference and I was so lucky to have some of my favorite people around today. Firstly, my makeup artist, Gia Harris, longtime friend, who I’ll talk a little bit more about later, did an awesome job and on the subject of makeup, my mom calls putting makeup on gilding the Lily, but when you’re getting professional photos taken, having great makeup is part of this complete breakfast. You really actually need it and you need it to be great. You need it to be natural. You needed to be well maintained throughout the day and yeah, you might as well enjoy the process. I always enjoy the process with Gia. At one point I even remember, maybe it’s about as high stress as it got was when we were trying to find the perfect red lipstick for my sophisticated, sexy look in the second half of the commercial headshot shoot. Gia is a woman that understands red lipstick intimately. In fact, she introduced me to my favorite red, which is actually Sephora number one. Just for the record, we did not use Sephora number one for this shoot. However, we explored a little bit and we found something incredible and I don’t know what it was, so I can’t tell you. Gia and only Gia knows. Alright, Gia knows reds and she knows my face. If you’re shooting with a makeup artist that you’ve never used before, I strongly recommend paying them for a test day so that you’re sure you can land on looks that you love before the big day. For the record, I feel the same way about hairstylists crucial. Now, today I did not have a hairstylist. I was manning my own mop and I think I did a pretty good job for the record. See, I have kind of unusual hair, but I know how to work it.  It’s one of those things that if I can’t get the stylist that I know I love, I’m not going to take a risk on somebody that I don’t know. I’m going to do what I do and I’m going to do it well. Today was no exception. I’m patting myself on the back. I did pretty good, especially in the first half of the day. The second half of the day took a turn. It got a little playful. See, Taylor James has been wanting to shoot me with pink hair for a very long time. He’s been trying to convince me to go pink ever since I went blonde. So I gave in because Taylor puts the Tay in taste. He’s really so great. So I did a little research and I talked to a couple of real live humans instead of just trusting the internet. This is my hair after all, and I decided on Kryolan color spray in D 30 it’s this lovely, powdery pink.  I almost went for the more neon pink, kind of like what you might’ve seen in the yummy video. Shout out. Yummy, and I heard horror stories about how that stuff stained those girls hair, especially with light hair, a dark temporary hair dye can actually do some real permanent type of damage. So I went with D30 this powder pink and I just crossed up my fingers. Lucky for me, it not only washed out, but it looked fabulous. A word of wisdom. I would advise that you settle on the style first and add the color later. It was really difficult to style my hair after that spray was in there. It’s like kind of chalky and powdery and tough. It was impossible to brush through and I’m not crazy about the shape of my hair after the color went in, but Holy smokes color so great. Really happy about that. I think actually we’re going to go round two on pink hair shoot. LOVE. Who knows? Maybe I’ll even commit full time some other day.  

Okay, so that covers face. That covers hair. Now, next and maybe most important, let’s talk wardrobe. I am a person who loves clothes. I love many different styles. I love many different periods of fashion. I love texture, I love color, I love crazy, but headshot wardrobe is not the same as daily wardrobe and editorial wardrobe is certainly different than daily wardrobe. So how do you settle on your look? Well, as I’m sure you can imagine, there really is no one rule of what to wear. Brunette shouldn’t always wear red. Blondes shouldn’t always wear blue. This is just something you’re going to have to find for yourself. My best recommendation here would be try everything, take a lot of photos and start keeping little photo albums of your little favorite things, the things that work for you. Before I even set my date to shoot and before I locked in my photographers, I sent my agents and a small group of friends and family like nine or 10 different looks and I asked for input and feedback. What do you guys think I should wear for my head shots? I’m always surprised by the way, what I hear back when I send out little calls to action like that because it’s almost never what I would have chosen. Over the course of this week. I’ll share a few of those sample shots that I sent to my agent so that you can see what I thought would work and what actually wound up working. Actually throughout the course of this week, I’ll do a lot of behind the scenes of today. I’ve got a lot of great captures. Stay tuned on the gram @WordsthatMoveMePodcast, get ready. So on this round of preliminary wardrobe sausage. I heard back from my agent first and she recommended a few looks that I didn’t really love, but once I tried them on in front of a backdrop on camera, I was smitten.  So I shot in two looks that really weren’t my favorite, but on camera they look great. As far as the golden rule here, I would say do your homework. Not only did I send my agents a boatload of options, I also asked them to send me the headshots of their clients that never get a no. These are headshots that when submitted the casting director says yes, we want to see that person. From those I learned solid backgrounds are best, vivid colors are a must, skin must look natural and great. And red seemed to be an overwhelming theme. So based on the looks that I submitted and based on what my agency sent me back, I settled on a couple different wardrobe options and then chose backdrop colors and textures that I thought complimented them the best. And that’s the game.  

Okay. The day went fast and that is to be expected. But I never felt actually rushed. I was, it felt more like I was just in a fast car that was going fast, but I didn’t feel like I was having to run or pull or drive. It was just a quick moving day. But I took time to look at my friends and smile and love them and I took time to look at the images. Oh yes. That was advanced to take a moment, pause, say, okay, let’s look at what we’ve got so far before you say, all right, moving on. Next. Look, every photographer is different when it comes to showing the model or the director the captures as they shoot. Sometimes it can make the model get a little bit too in their head. So even though the goal is to establish a strong trust and healthy working relationship, it can wind up having the inverse effect.  But I love seeing as I shoot it helps me correct. I’m a dancer, love corrections. Um, it helps me correct and it helps me feel like we can move on if at a certain point it’s time to move on, you know, as far as the clock is concerned. So that’s one of the reasons I really like shooting with my friends is that that conversation can be really loose and open. Hey, can I take a look at that? Hey, do you mind if I see that, Hey, can I take a look at that? I feel like we might have it. Can we move on? Of course. I feel more comfortable having that conversation with my friends, but, but I really encourage anybody who’s paying for headshots to take a look at some of what they got before you change outfits to the next look and certainly before you leave for the day.  

At one point I actually noticed as I looked at the monitor, a little, um, body insecurity cropping up where I was like, ah man, my torso is so short and my head is gigantic. Wait is my head really that big. Uh, that might actually be the lens. Hey Bobby, what are you shooting on right now? Sure enough, it was kind of a wide lens. We’re in a small space so I understand that choice. But I asked Bobby to use a different lens cause I noticed like the slightest kind of warping in my body. Um, and because Bobby is awesome, he was like, yes, absolutely right away, but I wouldn’t have known to ask that necessarily if I hadn’t gotten so comfortable with seeing myself on camera at number one. And number two, um, getting used to what certain lenses do to the body. So that was cool.   Um, also cool. I came across my first professional headshots ever. So these must have been taken in 2005, like early 2005. Um, yes I did laugh at them and yes I did ask what were you thinking? And I sit in kind of a mean way at the moment, but after a little bit more digging on the, what were you thinking? Question. I really believe that I was thinking do it right. Just be the right thing. Just do this right. And I’m actually very proud of that. My efforts to do the right thing or to at least not be wrong, were not for nothing. My pursuit of right got me very far. It got me here. Here is well connected, supported, inspired. Here’s a place where I have the perspective to think of headshots as an opportunity to play and make versus the do or die moment where my livelihood is on the line.  So thanks past self for really trying to do it right and trying to be right. However, I’ve got to say the girl in those photos does not look like she’s having fun. So while the thought I’m going to do it right, I’m going to be right, might’ve served me well in the career in the long run today instead of thinking do it right, be right, I was thinking do it bright and be yourself. Just be yourself. It was also nice to remember that head shots are just pixels on a screen or ink on a piece of paper. That brought me comfort to knowing that I am much more than pixels. I am much more than ink and when I believe that the camera seems to capture that. I was also very comforted by the thought that these don’t have to be the best headshots ever taken ever by man or woman or space alien.  These are just the head shots that I am taking today with this color hair in this body in this moment and that felt really, really good. So maybe someday I’ll look back and laugh at these two and that’s okay. But until that moment I’ll be very proud and I’ll celebrate that.

This was an awesome day where I got to dress up and make stuff with my friends for I might add less than a thousand dollars. I shot five looks in three locations in six hours and I could absolutely not have done that without a killer team. Top of that list of course is the man that woke me up with kisses. Next step is the one and only Gia Harris who did my makeup on this series of head shots and maybe every single other in my life at least in the last 10 years. Right. Gia man, she is my dear friend.  She is a Saint. She was the first to arrive and she was the last to go home and she did a phenomenal job. Then of course there is mr Bobby Dancones, the sweet and Swift photographer. I have almost all of my files from him already. Holy smokes. Thank you Bobby. And then of course Mr. Taylor James. He has a great eye and incredible imagination and more prom dresses than any woman that I know. He is a master behind and in front of the camera. And I would also say he is a monster behind the wheel of a Prius. Thanks Taylor James!

Well, there you have it guys. A look inside my head on headshot day, I felt beautiful. I felt powerful. I felt silly. I felt sexy. I was excited literally all day long.  And I hope that you feel all of those things today and one sure fire way of feeling that is to think you get to go play, dress up and make stuff with your friends almost anytime. Literally. So go get out there, do it. And while you’re at it, keep it funky. Hey, sneak attack with the tagline. Thank you everybody for listening. I’ll talk to you next week. I literally just waved at my microphone. Great. Okay. Bye.